Laverne Originals ad / Ruth Asawa sculpture
Julius Shulman / Iron Man
Shulman's house and studio by Raphael Soriano
Shulman had a nice collection of iron furniture by some great Los Angeles companies.
I'm sure they were some of the same pieces he would lug around to Case Study photo shoots.
These photos are from when the house was listed for sale in 2009.
Photos: davidbrayton.com
Paul Laszlo Americana line by Pacific Iron
Dorothy Schindele chairs for Modern Color Inc and possibly a VKG dining table.
More Modern Color Inc pieces, including a Eugene Weston table
It looks like the new owners are going to do some Dwell, BoConcept, Ikea remodel hack job on it: LA Curbed
I hope they haven't tossed the iron scraps to make room for the brand new stuff.
Four Abstract Classicists
Four Abstract Classicists
Karl Benjamin, John McLaughlin, Frederick Hammersley, and Lorser Feitelson
Photo: Gety
Photo: LAMA
Eames: The Architect and the Painter in San Diego
SAN DIEGO, CA – On
December 15, a unique partnership between several San Diego institutions will
yield the local debut of the
film Charles
& Ray Eames: The Architect and the Painter, just days prior to its
national (and local) broadcast debut via PBS.
ModernSanDiego.com
in partnership with two Balboa Park institutions, Museum of Photographic Arts,
Mingei International
Museum, as and several sponsors, have come together to
celebrate the work of pioneering designers Charles and
Ray Eames. The couple’s
groundbreaking work transformed photography, architecture, as well as interior,
industrial, furniture
and graphic design fields. This unique cross-disciplinary
partnership reflects the Eames’ diverse interests and expertise
that created a
lasting legacy of their very productive lives.
Starting with a 6PM
reception at Mingei International Museum’s ‘Craft Revolution’ exhibition, the
evening will then conclude
with the 7PM film screening at Museum of
Photographic Arts’ 226-seat Joan & Irwin Jacobs Theater. KPBS will provide
media support, and then
air the same film at 10pm on Monday, December 19.
RSVPs are required prior to the event. Email jyork@mingei.org to
RSVP. Tickets for RSVP’d guests will be sold at the
door for $10, $8 for MOPA
and Mingei International members.
Homer Delawie Lanthorn Residence
Interior shot of Homer Delawie's Lanthorn Residence in La Jolla.
There's a Jack Boyd and two Raul Coronel tiles on the table!
This house is for sale.
Contact keith@modernsandiego.com for more information
Image: Boo Radley's
It's hard to see, but there are a couple more Jack Boyds in the house, including a unicycler.
Image: Objects USA
Jan de Swart
Jan de Swart Exhibition Catalog, 1963
Source: Jan de Swart
Jan de Swart Exhibition Catalog, 1963
Source: Jan de Swart
Top shelf sculpture from Sam Kaufman.
Seriously, look at the photo above. It looks like the same sculpture on
the top shelf towards the left.
Another good one from Fat Chance
Fulton Mall Clock Tower
Designers West, 1974: Jan de Swart
Fulton Mall Clock Tower, 2010
More Fulton Mall here
Cosanti / Earth House
Paolo Soleri designed "Earth House" at Cosanti
From the book: Artists' Handmade Houses
Thanks to Daniel from Cosanti for recommending the book
Bell/light fixture!
San Diego Craft, Then and Now
As part of their San Diego's Craft Revolution exhibit, the Mingei held a panel discussion called San Diego Craft, Then and Now.
Larry Hunter, Wendy Maruyama and Tanya Aguiñiga discussed the history of the
San Diego State furniture program and their experiences as teachers, pupils and artists.
Larry Hunter: Woodworking, The New Wave
Hunter studied under John Dirks.
Larry Hunter Wood Clock
Maruyama studied under Hunter and has been a professor in Woodworking and Furniture Design
at San Diego State University since 1989.
Wendy Maruyama Book Stand
Aguiñiga studied under Maruyama and now teaches at Otis College of Art and Design.
Molded Plywood
From Professor Kaufman:
The "Molded Plywood" collection of four chairs designed by Charles and Ray Eames and their collaborators in the
middle of the 1940s, and introduced after the end of WWII, has the distinction of being the first example of avant-garde
furniture design finding immediate acceptance by the ordinary people for whom it was intended. Hitherto, highly
original modernist furniture appealed -- almost without exception -- to a relatively small audience of architects, college
professors, and wealthy socialites, however ideologically committed their designers were to the Common Man.
This frustrating pattern of unintended exclusivity was finally overturned by the playful and imaginative approach of the Eames
office, an achievement mostly repeated with each introduction of a new line of Eames designs.
Source: Sam Kaufman
Barton's Bonbonniere
Victor Gruen Lamp from Barton's Bonbonniere
at LACMA's
Barton's Bonbonniere
Alvin Lustig is listed as the graphic design consultant
Barton's Bonbonniere candy tin
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